↑Price, "Jazz Guitar and Western Swing", p. 82: "The assimilation was so thorough that western swing, at the hands of an accomplished bandleader like Bob Wills, Milton Brown or Spade Cooley, cannot be seen as ersatz anything. It was from the start—or at least from its earliest documentation on record—its own music, something more than its parts, allowing a freedom of expression offered neither by traditional country music (which would have no part in improvisation or between-the-beats rhythm) nor by the structured jazz community (in which no southwestern bumpkin would be likely to feel welcome)."